1972-73, B.A. Studio Art, University of California, Davis

1969-1971, University of California, Berkeley


Exhibitions(URL and IRL):


Supernova 2019, Supernova Digital Animation Festival, various locations, Denver CO, curator: Ivar Zeile, 9/21/2019 .. my new video titled “Faces” premiered

New Century / New Materials, Heritage Gallery, Whitinsville Massachusetts, curator Sabato Visconti, 9/6-1024/19

Glitch: Digital Dreams and Data Disruptions, Animaze Festival, Montreal, curator: Iona Pelovska, 8/30/2019 … my video “Robot Love, Robot Hate” was shown.


blue \x80 Villette Makerz, Paris, curators: Kaspar Ravel, Zoe Stawska, 10/18-10/21/2018

/’fubar/ Glitch Art Festival 2018 Siva Galerija, Zagreb Croatia, curators: Vedran Gligo, Dina Karadžić, 10/6-10/12/2018 – in addition to having several of my images displayed, I provided a remote video workshop on 3d glitching techniques

ArtoBots, Codame Art Tech Festival, The Midway, San Francisco, Curator Vanessa Chang, 6/4-7, 2018 (my contribution included an experimental video, “Robot Love, Robot Hate” as well as still images)

Fool’s Paradise II – DiMoDA 3.0, 3LD Art And Tech center, NYC, 5/24-6/6/2018 .. I contributed the 3d mask models used in Paul Hertz’ section of this VR project organized by Alfredo Salazar-Caro and William Robertson)

Digital Scripture, Musée Universitaire de Louvain, Louvain-la-Neuve, Belgium, Curator Haydi Roket (Mert Keskin), 3/23-5/13/2018

Bienal de Arte Digital, Oi Futuro Flamengo, Biblio_Tec-Térreo-Biblio Tech, Rio De Janeiro, 2/5-3/18/2018, Casa FIAT de Cultura, Piccola Galeria, Belo Horizonte, 3/26-4/29/18. Curator Ivan Ramos (several of my videos were shown, including one that was displayed on a 9 meter tall outdoor LED display)

Noise, Orjin Maslak, Istanbul, curator Haydi Roket (Mert Keskin) 1/12 – 2/16/2018


Fool’s Paradise II – DiMoDA, Asia Art Gallery at SIGGRAPH, 11/27/2017 (To be published by DiMoDA next year .. I contributed the 3d mask models used in Paul Hertz/ portion of this VR project organized by Alfredo Salazar-Caro and William Robertson)

/’fu:bar/ Glitch Art Festival 2017, Siva Galerija, Zagreb Croatia, curators: Vedran Gligo, Dina Karadžić,10/7-10/13/2017, Chazen Family Gallery, Rhode Island College, curators Claudia Hart, Rachel Clarke, Pat Reynolds, Wang Frank Yefeng, 10/5-10/19/2017. Continuing, traveling version of “The Real Fake 2.0” noted below.

SPAMM PROJECT ISSUE II, online, curators Carolina Romano, Marcos Rico, 9/28/17 ongoing. WebGL, three.js

Robots, Fiction Science Gallery, San Francisco, curator DC Spensley, 7/28-9/28/2017. Contributed video.

The Second Sense, Post Territory Ujeongguk, Seoul Korea, curator Jun Seo Hahm, 7/14-15/2017. Video screening

Museum of Virtual Art II,, curators: Michael Bordlee, Nick Zhu, 4/20/2017 ongoing. Virtual environment as downloadable Unity executable.

SPAMM POWER, Parsons Paris, Paris, curators: Ellectra Radikal, Michaël Systaime Borras, 3/31 – 4/14/2017. Video screening. Also, ongoing online exhibit at the Exhibition, Spazio Contemporanea, Brescia, curator: Fabio Paris, 3/25 – 4/15/2017. This is the IRL culmination of the Dadaclub online exhibit noted below

Glitch Art is Dead, Gamut Gallery, Minneapolis, curators: Aleksandra Pieńkosz, Zoe Stawska, Miles Taylor, 3/11 – 3/31/2017

free_art_source, Galženica Gallery, Velika Gorica, Croatia, curator: Dina Karadžić, 3/3 – 4/8/2017

3D Glitch, Filorammatica Galery, Rijeka, Croatia, curator: James Hutchinson, 1/19 – 2/10/2017


The Real Fake 2.0, Bronx Art Space, Bronx NY, curators: Claudia Hart, Rachel Clarke, Pat Reynolds, 11/19 – 12/17/2016

(Associated web presence: , )

Virtual Dream, online , curator: Haydi Roket (Mert Keskin), 9/19 – 9/30/2016

/’fu:bar/ 2016, Siva Galerija, Zagreb Croatia, curators: Vedran Gligo, Dina Karadžić, 9/10-9/22/2016

Dada Club Online, online , curator: Fabio Paris, 9/6/2016 ongoing

Internet Moon Gallery, online , curator: Curatorial IMG (Manuel Minch) 6/20 – 8/1/2016 (Although my portion of the exhibit is finished, there may still be an archived version of at .. click on the little folder at the bottom left of the screen, then on my icon.)

Cat Heroicus Sublimis, online , curators: Tina Sauerländer, Peggy Schoenegge, 6/5/2016 ongoing

Des Formes Obliques, online , curator: Nikolas Koroloff, 6/1/2016 ongoing

Books – London Edition, Arebyte Gallery, London, curators: David Quiles Guilló, Patrick Lichty and Erik Zepka, 4/17-4/30/2016

DATA PARADE , Rhinoceropolis , projections, Denver Colorado, curators: David Winkler, Coleman Mummery, 3/11/2016

MOVA (The Museum of Virtual Art) online: , 2/10/2016

Stimulation Overload, SuperChief Gallery, projections, SOHO, NYC, 1/2/2016


NET 17: Digital Grotesque, Oranbeg Press, online: , curator: Gregory Eddi Jones, 12/10/2015 and ongoing

The Wrong , Wronggrid Pavilion, online: , curators: Ellectra Radikal, Frère Reinert, 11/1/2015 thru 2016

Glitch Art is Dead , Teatr Barakah, Krakow Poland, 9/19 – 10/16/2015

/`fu:bar/, Siva Galerija, Zagreb, Croatia, 8/21-5/24/2015

Glitch Shop, UNITE Stratford One Building, London, 1/7/2015


All Glitched Up, projections, Tate Collectives, Tate Britain, London , 11/28/2014

Glitch, DogPatch Gallery, San Francisco, California, curator: DC Spensley, 11/12-12/12/2014


Dog Dada, Antiquarium Gallery, Omaha, Nebraska


Free-Male Art Exhibit, Antiquarium Gallery, Omaha, Nebraska


Parkside National Small Print Exhibition Communications Art Gallery, University of Wisconsin-Parkside, Kenosha, Wisconsin


The American Miniature Printmaker, The Masters Gallery, San Diego State University, San Diego, California

Mini Print International Exhibition, Roberson Center for the Arts and Sciences, The Studio School and Art Gallery, Binghamton, New York

Joslyn Biennial, Joslyn Art Museum, Omaha, Nebraska


Parkside National Small Print Exhibition, Communications Art Gallery, University of Wisconsin-Parkside, Kenosha, Wisconsin

Mark Klink, The Cornerstone Gallery, Lincoln, Nebraska (one man show)


Mid-Four, Nelson-Atkins Museum of Art, Kansas City Missouri

Joslyn Biennial, Joslyn Art Museum, Omaha, Nebraska

Fred Wells 9 (Bridges), The Elder Gallery, Nebraska Weslyan University, Lincoln, Nebraska

Portfolios, R.G. Dickinson & Co., Omaha, Nebraska


Mark Klink, Candy Store Gallery, Folsom, California (one man show)

1984 :

Mark Klink, Candy Store Gallery, Folsom, California (one man show)

Wonder:Playthings, Palo Alto Cultural Center, Palo Alto, California

Notes, Mentions, Reproductions, Interviews, Citations Etc. (print and online…):

Malatesta, Irene (2018 Feb 22) “Interview with Mark Klink”, Medium, retrieved from

Debrodt, Uwe Heine (2018 Feb 22) “ Artist * Mark Klink * United States”, In*Fusion Art Magazine,retrieved from

Random Pixel Order (Artis, Guillaume C.) Screenshot_001 (fanzine) (2017 February), online photos can be seen at

deTita, Diogo (2017 Jan 29) “Eye Candy Week 50”, ANTI]MATERIA, retrieved from

Bruno, Ynfab (Fanny Bruno) (2017 Jan 22) “Eye Candy Week 49”, [ANTI]MATERIA, retrieved from

Deniz, Uğur Engin (2016 Dec 26) “Eye Candy Week 45”, [ANTI]MATERIA, retrieved from

Pieńkosz, Aleksandra and Płucienniczak, Piotr Puldzian (12/16/2016), Glitch Art is Dead, available from Issu:

Ugrin, Philip, (2016 Dec 11) “Eye Candy Week 43”, [ANTI]MATERIA, retrieved from

Austin, Matthew (2016, Nov) “Drawing The Glitch”, in Drawing Futures, eds: Allen, Laura; Smout, Mark; Pearson Caspar

Delavignette, Cara (2016 Nov 06) “Eye Candy Week 38”, [ANTI]MATERIA, retrieved from

Ioannou, Sara van-der Berg (2016 Oct 30) “Eye Candy Week 37”, [ANTI]MATERIA, retrieved from

Reinert, Frère (2016 Oct 23) “Eye Candy Week 36”, [ANTI]MATERIA, retrieved from

Simoneau, Nicolas (2016 Oct 21) “How Does Glitch Art Reflect Society?”, Daily Bread Mag, retrieved from

Penney, Margaret (2016 Sep 23) “Interview with Digital Artist Mark Klink” Notes on Design, retrieved from

Parentela, Claudio (2016 March 7) “Interview with Mark Klink”, The eXTra finGer, retrieved from

Fuchsgruber, Lukas (Nr. 3, 2016, issued 1/2016) “Virtualität und Ökonomie. Ästhetische Potentiale der vernetzten Hypergraphik”,, retrieved from

Jacket, Gregoire (2016 January) “Mark Klink gère grave le Glitch Art, l’art binaire à grands coups de 0 et de 1”, Jacket Magazine, retrieved from

McKay, Jura (2016, June) The Value of Glitch Art, available on Issu:

Simoneau, Nicolas (2015, April 29) “Artist of the Week – Mark Klink”, Kaltblut Magazine, retrieved from

“Mark Klink” (2015, April) Futro Magazine, Portland, Oregon, (cover artwork.)

Pangburn, DJ (2015 February) “Mind-Bending Glitch Art from Across the World”, Konbini, retrieved from

Komodikis, Alexi, (2014, Oct 31) “Broken Angels – The Fractured Art of Mark Klink”, Monoblog, retrieved from


“Eye Candy Week 42”, (2016 Dec 4), retrieved from